At the heart of Africa is Congo, a country the size of Western Europe, bordering nine other nations, that since 1996 has been wracked by a brutal and unstaunchable war in which millions have died. And yet, despite its epic proportions, it has received little sustained media attention. In this deeply reported book, Jason Stearns vividly tells the story of this misunderstood c...(展开全部)

贾森·斯特恩斯（Jason Stearns），美国政治学者，纽约大学高级研究员，致力于研究非洲地区的暴力形势和社会动态，尤其关注刚果民主共和国。曾先后任职于国际危机组织、大裂谷研究院和联合国维和部队等机构。2001年开始集中精力研究刚果的冲突问题。2014年于纽约大学国际合作中心成立刚果调查研究小组，推动与冲突相关的外交政策朝着更加透明化和负责任的方向发展。

At the heart of Africa is Congo, a country the size of Western Europe, bordering nine other nations, that since 1996 has been wracked by a brutal and unstaunchable war in which millions have died. And yet, despite its epic proportions, it has received little sustained media attention.In this deeply reported book, Jason K. Stearns vividly tells the story of this misunderstood co...(展开全部)

At the heart of Africa is Congo, a country the size of Western Europe, bordering nine other nations, that since 1996 has been wracked by a brutal and unstaunchable war in which millions have died. And yet, despite its epic proportions, it has received little sustained media attention.In this deeply reported book, Jason K. Stearns vividly tells the story of this misunderstood co...(展开全部)

At the heart of Africa is Congo, a country the size of Western Europe, bordering nine other nations, that since 1996 has been wracked by a brutal and unstaunchable war in which millions have died. And yet, despite its epic proportions, it has received little sustained media attention. In this deeply reported book, Jason Stearns vividly tells the story of this misunderstood c...(展开全部)

贾森·斯特恩斯（Jason Stearns），美国政治学者，纽约大学高级研究员，致力于研究非洲地区的暴力形势和社会动态，尤其关注刚果民主共和国。曾先后任职于国际危机组织、大裂谷研究院和联合国维和部队等机构。2001年开始集中精力研究刚果的冲突问题。2014年于纽约大学国际合作中心成立刚果调查研究小组，推动与冲突相关的外交政策朝着更加透明化和负责任的方向发展。

One of the few books to address the horror film from any kind of critical position. Unique - The first history of the horror film to approach it from a queer perspective. Written with detail and thoroughness - covers all eras of the horror film and correlates specific types of movie monsters to the historical social conditions which produced them. Explores how popular culture e...(展开全部)

欧美诗坛一颗耀眼的新星。1977年出生于乌克兰敖德萨市一个犹太家庭，4岁失去听力，12-13岁开始发表散文和诗。苏联解体之后排犹浪潮掀起，16岁时他和家人以难民身份移居美国。1994年父亲去世，他开始用英语写作，“用新的语言来悼念父亲”。目前，他是加州圣迭戈州立大学副教授、创作系主任，讲授世界文学、诗歌创作及翻译，并主编享誉国际诗坛的《诗国际》年刊。 2004年，卡明斯基出版第一本诗集《舞在敖德萨》，引起诗坛轰动，奖项如潮而至，迄今已有西班牙语、法语、俄语、罗马尼亚语、波斯语、荷兰语等多种译本，卡明斯基也因此成为众多国际诗歌节争相邀请的热门人物。他的最新诗集《聋子共和国》与散文集《难度诗人》即将出版。作为俄罗斯少年流亡者，他的诗歌具有“白银”诗人的纯正抒情，但“流亡”主题在他的后现代诗学中演化为“美好的礼物”和“疯狂而美丽的自由”。

Described as ‘a rich, reverberative dance with memories of a haunted city’ (LA Times), the poems of the prize-winning debut Dancing in Odessa by Ilya Kaminsky, author of Deaf Republic, draw on archetype, myth and Russian literary figures. Tightly realised domestic settings are invigorated with a contemporary relevance, humour and torment, and a distinctive, transcendent music.

欧美诗坛一颗耀眼的新星。1977年出生于乌克兰敖德萨市一个犹太家庭，4岁失去听力，12-13岁开始发表散文和诗。苏联解体之后排犹浪潮掀起，16岁时他和家人以难民身份移居美国。1994年父亲去世，他开始用英语写作，“用新的语言来悼念父亲”。目前，他是加州圣迭戈州立大学副教授、创作系主任，讲授世界文学、诗歌创作及翻译，并主编享誉国际诗坛的《诗国际》年刊。 2004年，卡明斯基出版第一本诗集《舞在敖德萨》，引起诗坛轰动，奖项如潮而至，迄今已有西班牙语、法语、俄语、罗马尼亚语、波斯语、荷兰语等多种译本，卡明斯基也因此成为众多国际诗歌节争相邀请的热门人物。他的最新诗集《聋子共和国》与散文集《难度诗人》即将出版。作为俄罗斯少年流亡者，他的诗歌具有“白银”诗人的纯正抒情，但“流亡”主题在他的后现代诗学中演化为“美好的礼物”和“疯狂而美丽的自由”。